"Ashkenazy is very much more than an accomplished and insightful accompanist. He is a fully fledged, generous partner, weaving the variegated orchestral strands into a polyphonic tapestry of timbres ... Wunder, meanwhile, easily distracts us, when it's appropriate, from the essentially percussive nature of his instrument ... Indeed this is one of the most subtly and illuminatingly coloured accounts of this work I've encountered"

"Det ene øjeblik uddeles drøje hug, det næste blottes ømheden i Tjajkovskijs kandiserede melodier. Der bliver danset på hele klaviaturet, når Ingolf Wunder er ved tangenterne ... To klaverhits, som Wunder gør til skønne, usentimentale fortællinger, selv om Ashkenazy ikke får løftet klangen nok"

"Though Ashkenazy and Wunder make entirely empathetic partners, the balance in general favours orchestral detail in expense of the piano ... This is less of a problem in Chopin's E minor ... the recorded sound has a ringing clarity and depth"