Henter beholdningsoplysninger
Detaljer om materialet
Type
Cd (musik)
Format
1 cd, 1 kommentarbilag
Sprog
tysk
Genre
klassisk musik 1950 ->kor
Emneord
Emnetal
78.652
Bidragsydere
Indhold
HallelujaAlle vittime senza nome
Beskrivelse
Live-optagelse, Santa Cecilia Hall, Auditorium Parco della Musica, Rom 14. oktober 2017 (Alle vittime senza nome) og indspillet i Köln, Tyskland 2017 (Halleluja)
Forlag
Wergo
Målgruppe
voksenmaterialer
Anmeldelser
Diapason, 2020 mars
Vurdering: 5/5
The gramophone, 2020 February
"... it is not difficult to appreciate the quality of the musical setting, nor the splendid live performance captured in Cologne in 2017. The performers sound at one in their presentation, whether in the hushed choral comments or the chiming percussion that dominates some sections. The whole is more than the sum of its fragments, compelling and involving, as is the purely orchestral companion, Alla vittime senza nome (`To the nameless victims', 2016), a three-movement threnody to the countless masses of African and Middle Eastern people dying in waves seeking refuge in Europe"
The guardian, 2019-11-07
"Eötvös's oratorio, though influenced by the story and music of a medieval monk, is in reality a wry take on modern's life's babble ... It's a work built on melodies, some with a vaguely Middle Eastern tang, some more frankly elegiac, and switching between frantic activity and motionless quiet. The gently chiming ending is also a memorial to Péter Esterházy, who died just before the premiere of Halleluja, bringing the disc full circle"
The guardian, 2019-11-07
MusicWeb international, 2020 January
"Eötvös writes as though any experimentation, potential departure from the expected, or desire to shock has been wrung out and expunged before a note is played. Yet innovative this music decidedly is. And these performances - by two different sets of appropriately-versed musicians - are clarion, authoritative, almost (justifiably) proud, striking, colourful and accessible. This music is indubitably of our age ... In the end, Eötvös's music offers great satisfaction and a sense of summation - few loose ends. Puzzles maybe. But not insoluble puzzles ... Each performer is fully engaged. Texts are articulated with excitement, exactitude and an implicit wish to communicate, rather than merely to present. An ounce less refinement and hallelujah - oratorio balbulum could quite easily have been a mere statement. This doesn't happen ... Alle vittime is ... purely orchestral. Yet has the same impact and sense of measured urgency as hallelujah. Just when you feel the music 'scatters' there's consolidation; and just when it seems as though the path is clear, it splits ... This - thankfully - is music to make you think ... If you're new to the music of Eötvös, give these two searing yet fully integrated pieces a try. If you already know his work, snap this CD up"
MusicWeb international, 2020 January