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Detaljer om materialet
Type
Cd (musik)
Format
1 cd i bog
Genre
cellokoncerterklassisk musik 1950 ->klassiske symfonier
Emneord
Emnetal
78.412:44
Bidragsydere
Indhold
Concertino for violoncel og orkester, opus 43bisFantasi for violoncel og orkester, opus 52Kammersymfoni nr. 4, opus 153
Beskrivelse
Indspillet i MC de Bijloke, Ghent, Belgien 2021
Forlag
Evil Penguin Records Classic
Målgruppe
voksenmaterialer
Anmeldelser
BBC music magazine, 2022 May
"Wispelwey inflects the solo cello part with tremendous artistry, sculpting Weinberg's melodic lines with a wonderful sense of colour and imagination yet without succumbing to indulgent emotion even in the most heart-rending passages ... A word of praise too for the recording which captures these fine performances in stunningly vivid sound"
The gramophone, 2022 June
"Weinberg's recorded coverage expands apace, this release featuring three of his concertante works in readings that eschew the asperities of earlier recordings for a warmer sophistication. This is already the third recording of the Cello Concertino ... Pieter Wispelwey is audibly inside its idiom, as he is that of the Fantasy ... Les Metamorphoses unde Raphaël Feye come into their own here - eloquent, impulsive and allowing plenty of emotional breathing-space for the soloist ... The Fourth Chamber Symphony ... almost a dozen recordings, this latest being among the finest ... No one can go wrong with this sumptuously recorded and well-annotated release"
Fono Forum, 2022 Juli
"In den hier eingespielten konzertanten Werken Weinbergs repräsentieren die Soloinstrumente gleichsam die "Subjekte" oder Protagonisten der Musik: Weinberg lässt sich erzählen, klagen, sich erinnern, beschwören, berichten, bezeugen. Diesem "sprechenden" Gestus der Musik schmiegt Pieter Wispelwey als fabelhafter Solocellist ideal an und fügt anrührende Emotionalität hinzu, die in keinem Moment in Sentimentalität oder Rührseligkeit abgleitet"
The observer, 2022-05-07
"Top playing, a first-class recording, handsomely produced: the Polish composer Mieczysław Weinberg (1919-96) is at last being given his due, as a new disc proves beyond doubt. It features his works for cello and orchestra performed by Pieter Wispelwey (cello) ... The Cello Concertino (1948), melancholy, songlike, lightly scored, is immediately compelling. Found only recently ... Wispelwey plays with supple energy, keeping emotion in check in the lament at start and finish, the double-stopped chords clean and precise, the pizzicato warm and fluid. The Fantasy, a single movement with several sections, has folk-inspired, nostalgic charm. The Chamber Symphony No 4, Op 153 ... full of klezmer-inspired punch, was the prolific composer's last completed work"
The observer, 2022-05-07
MusicWeb international, 2022 June
"Here, the Evil Penguin label has issued an all-Weinberg album presenting a pair of works for cello and orchestra - the Concertino and the Fantasia - coupled with the Fourth Chamber Symphony ... Conductor Raphaël Feye forms a sympathetic partnership with the gifted players Les Métamorphoses chamber orchestra, which is some twenty-seven strong here. They provide stunning playing of the highest quality and reach deep to the core of Weinberg's soundworld. Soloists Wispelwey and Charlier could hardly be bettered"
MusicWeb international, 2022 June
Klassik heute, 2022-04-22
"Es handelt sich bei Les Métamorphoses um ein recht junges belgisches Kammerorchester ... Die vorliegende zweite CD-Veröffentlichung des Orchesters ist allerdings zur Gänze dem Schaffen des grossen sowjetischen Komponisten polnischer Abstammung Mieczysław Weinberg gewidmet. Neben zwei Werken für Cello und Orchester mit Pieter Wispelwey am Soloinstrument steht Weinbergs letztes vollendetes Werk, die Kammersinfonie Nr. 4, auf dem Programm ... Wispelwey gestaltet seine Soloparts deutlich eloquent und farbenreich, zum Teil auch unter Einbeziehung gewisser Freiheiten ... Auch das Orchester trägt seinen Teil zu diesen lebhaften, temperamentvollen Interpretationen bei, und in der Kammersinfonie Nr. 4 liefert es eine insgesamt subtile, nuancenreiche Darbietung"
Klassik heute, 2022-04-22