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Detaljer om materialet
Type
Cd (musik)
Format
1 cd, 1 bilag
Sprog
engelsk
Genre
rock
Emnetal
78.794:5
Bidragsydere
Indhold
One (Songs Of Surrender)Where The Streets Have No Name (Songs Of Surrender)Stories For Boys (Songs Of Surrender)Beautiful Day (Songs Of Surrender)Walk On (Ukraine) (Songs Of Surrender)Pride (In The Name Of Love) (Songs Of Surrender)City Of Blinding Lights (Songs Of Surrender)Red Hill Mining Town (Songs Of Surrender)Ordinary Love (Songs Of Surrender)Invisible (Songs Of Surrender)Vertigo (Songs Of Surrender)I Still Haven't Found What I'm Looking For (Songs Of Surrender)The Fly (Songs Of Surrender)If God Will Send His Angels (Songs Of Surrender)Until The End Of The World (Songs Of Surrender)With Or Without You (Songs Of Surrender)Stay (Faraway, So Close!) (Songs Of Surrender)Sunday Bloody Sunday (Songs Of Surrender)I Will Follow (Songs Of Surrender)"40" (Songs Of Surrender)
Beskrivelse
"20 new acoustic & reimagined recordings from the U2 catalogue - produced and compiled by The Edge"
Udgave
Deluxe limited edition
Forlag
Island RecordsUniversal International Music
Målgruppe
voksenmaterialer
Anmeldelser
Gaffa online, 2023-03-17
"Med Songs of Surrender erkender U2, at de har ramt muren. Inspirationen er forduftet ... Forventer man så noget nyt og uventet fra U2, er Songs of Surrender noget af en maveplasker. Der er overvejende tale om halvakustiske indspilninger, der i de mest iltfattige øjeblikke lyder som en MTV Unplugged-udgivelse fra 90'erne"
Gaffa online, 2023-03-17
Pitchfork, 2023-03-21
"At worst, Songs of Surrender is an overindulgence. At best, it's a pleasant interlude. But it isn't something that's going to alter their legacy or the trajectory of their art in any direction, and U2 has always made it clear that we should expect more from them than that"
Pitchfork, 2023-03-21
Mojo, 2023 April
"Artists rework their back catalogues for different reasons. For Taylor Swift, it's been a way to escape contractual constraints. For Kate Bush, on 2011's Director's Cut, it was an exercise in correcting niggling production and arrangement choices of the past. For U2, it sounds like a kind of liberation. If their creative missteps in the past two decades have generally been caused by their twin determinations to keep up with modern pop and relentlessly pursue music that works in stadia, then here they've cut themselves free from all of that. Ultimately, it may be a watershed moment. By stripping it all back down, in some ways, they're bigger"