- Cd (musik)
Kvartet for 2 violiner, viola og violoncel nr. 2 med sopransolo, fis-mol, opus 10 (Gringolts-Kvartetten)
Af Arnold Schönberg (2017)
Henter beholdningsoplysninger
Detaljer om materialet
Type
Cd (musik)
Format
1 cd, hybrid SACD, 1 kommentarbilag
Sprog
tysk
Genre
kammermusik
Emneord
Emnetal
78.421:4
Bidragsydere
Indhold
Kvartet for 2 violiner, viola og violoncel nr. 2 med sopransolo, fis-mol, opus 10Kvartet for 2 violiner, viola og violoncel nr. 4, opus 37
Beskrivelse
Indspillet i Zürich, Schweiz 2016
Forlag
BIS Records
Målgruppe
voksenmaterialer
Anmeldelser
MusicWeb international, 2017 November
"I have rarely heard a group performing such complex music as if it were, not exactly easy, but at least no harder than late Beethoven. This is a stellar performance and may well convince the listener not to be so frightened of atonal compositions ... That said , their virtuosity is very clearly heard in this superbly recorded production ... Great stuff and another essential purchase"
MusicWeb international, 2017 November
The gramophone, 2017 October
"It's a tribute to the Gringolts Quartet's unanimity and palpable sense of purpose that there is water among the rock ... Gringolts is not one of those fly-in, fly-out celebrity leaders ... Hartelius's poise and finely drawn lines of phrasing are ideally scaled to the quartet's compact, Classical style"
Klassisk, 2017, nr. 47
"Gringolts Quartet lykkedes mesterligt med at trække strygekvartetten i retning af gribende kunst fremfor nøgtern eksperiment"
Diapason, 2017 septembre
"Vurdering: Diapason d'or"
Klassik heute, 2017-09-28
"Klassik Heute Empfehlung: Ein derart hörenswertes Plädoyer für die Musik Schönbergs gab es seit vielen Jahren nicht mehr und macht für mich diese CD zur neuen Referenzaufnahme. Ich hoffe, dass die restlichen Streichquartette von diesem herausragenden Ensemble auch noch eingespielt werden"
Klassik heute, 2017-09-28
BBC music magazine, 2017 December
"The Second Quartet's yearning first movement and the desperate scutterings of its scherzo are conveyed in febrile, hyper-Romantic style ... Yet the Gringolt's precision and finesse in the Fourth Quartet also remind one how light-textured and playful Schoenberg could be - though there is no lack of heft in the rhapsodic unisons of the slow movement"