"Recorded in a single take in a Norfolk church, Laura Cannell's latest, seven-track album takes the form of a very personal response to the Pythagorean theory of Musica Universalis - the music of the spheres. Performed entirely solo on her signature instruments of over-bowed violin and double recorders, Cannell's music is both immediately indentifiable and difficult to categorise - seemingly existing in various states of permanent contradiction. Her compositions are minimal yet melodic, solemn yet euphoric and ancient yet futuristic; sometimes challenging yet always intoxicating ... Cannell's most fully realised solo work to date"